CURRENT

  Resistance Reverb: Movements 1 & 2 , 2018. On view at the di Rosa Center for Contemporary Art through December 30.

Resistance Reverb: Movements 1 & 2, 2018. On view at the di Rosa Center for Contemporary Art through December 30.

Be Not Still: Living in Uncertain Times
di Rosa Center for Contemporary Art
5200 Sonoma Hwy, Napa, CA
June 23 - December 30


Be Not Still: Living in Uncertain Times addresses concerns of our present social and political moment through newly commissioned works of art that engage audiences in ideas that matter. Other artists in the exhibition are Lexa Walsh, Ranu Mukherjee, and Victor Cartagena. 

Press Release | Brochure


 Detail of  Pink Portrait (Self),  2018. On view at Rena Bransten Gallery from June 23 - August 18.

Detail of Pink Portrait (Self), 2018. On view at Rena Bransten Gallery from June 23 - August 18.

The Portrait Show
Rena Bransten Gallery
1275 Minnesota Street, San Francisco, CA
June 23 - August 18


The Portrait Show is a group exhibition exploring portraiture from traditional to non-traditional approaches in a range of media. This diverse grouping of works spans the humorous to the somber, nodding to the rich history of the portrait while aiming to expand its boundaries. The exhibition includes works by Robert Arneson, John Bankston, Dawoud Bey, Jonathan Calm, Lawrence Ferlinghetti, Rupert Garcia, Jennifer Greenburg, Leiko Ikemura, Oliver Lee Jackson, Eirik Johnson, Arnold Kemp, Bovey Lee, David Linger, Hung Liu, Tracey Moffatt, Martin Mull, Tameka Jenean Norris, Raymond Pettibon, Naaman Rosen, Thomas Ruff, Salomé, Amparo Sard, Peter Saul, Tracey Snelling, Kumie Tsuda, Tara Tucker, John Waters, Lewis Watts, & Henry Wessel, among others.

Press Release


  Requiem for Charleston,  2016. On view in the Lincoln Gallery at the Smithsonian American Art Museum.

Requiem for Charleston, 2016. On view in the Lincoln Gallery at the Smithsonian American Art Museum.


Requiem for Charleston
Smithsonian American Art Museum
F St NW & 8th St NW, Washington, DC
On view in the Lincoln Gallery


Requiem for Charleston considers the events of June 17, 2015, when nine men and women were shot by a white gunman inside one of the country’s oldest historically black churches in Charleston, South Carolina. The installation consists of 25 tambourines whose drums have been replaced with black lambskin, referring to the quintessential symbol of innocence and sacrifice. Thomas inscribed nine of the tambourines with the names of the murdered men and woman; others were left blank in tribute to the many men, women and children who have died in attacks on black churches. 

This work is discussed by the artist in the SAAM panel, "Contemporary Artists in Conversation with History: 1968,"  with Alfredo Jaar, Sam Giliiam, and E. Carmen Ramos. Watch here