Dwelling: New Acquisitions
Cantor Arts Center at Stanford University
328 Lomita Drive at Museum Way, Stanford, CA 94305
October 4, 2024 – Ongoing

Mrs. Lottie Green Varner, from the series Mugshot Portraits Women of the Montgomery Bus Boycott, is currently on view in Dwelling: New Acquisitions. The exhibition showcases recent acquisitions to Cantor Arts Center's collection.

Learn more about the exhibition here.

'Free as they want to be’: Artists Committed to Memory
The Ethelbert Cooper Gallery of African & African American Art
102 Mt Auburn Street, Cambridge, MA 02138
February 25 – June 30 2025

Harriet Tubman (2020) is included in the group exhibition 'Free as they want to be': Artists Committed to Memory, currently on view at The Ethelbert Cooper Gallery of African & African American Art at Harvard University. The exhibition considers the historic and contemporary role photography and film have played in remembering legacies of slavery and its aftermath. The catalogue can be purchased here and includes 20 artists working in photography, video, silkscreen, projection, and mixed media installation.

The exhibition is curated by Deborah Willis, Ph.D., Professor and Chair of the Department of Photography & Imaging at NYU's Tisch School of Arts, and Cheryl Finley, Ph.D., Associate Professor of Art History at Cornell University.

Learn more about the exhibition here.

Resistance and Reverb: Movements 1 & 2
HALL Arts Hotel
1717 Leonard St., Dallas, TX 75201

Resistance and Reverb: Movements 1 & 2 (2018) is currently on view and permanently installed at HALL Arts Hotel in Dallas, Texas. The immersive installation features over 600 tambourines whose pink surfaces evoke the Women’s Marches of January 2017 and moments of feminist activism from the 1980s and 1990s. Dispersed within the cloud of tambourines are fragments of political speeches excerpted from past and present voices of women's resistance–ranging from Sojourner Truth's 1851 speech, "Ain't I a Woman," to Alicia Garza's powerfully succinct message, "Black Lives Matter.” The installation fuses historic and contemporary expressions of activism into a unified statement of solidarity, resilience, and resistance. The distinct elements of the installation represent a multiplicity united in solidarity, yet still retaining individual agency: power placed directly in the hands of the people.

Reckoning: Protest. Defiance. Resilience.
Smithsonian National Museum of African American History & Culture
1400 Constitution Ave, NW, Washington, D.C. 20560
September 10, 2021 – Ongoing

Euretta F. Adair is included as part of an ongoing exhibition at the Smithsonian National Museum of African American History & Culture. Reckoning: Protest. Defiance. Resilience tells stories of injustice, resistance and courage—and looks at the ways in which visual art has long provided its own protest, commentary, escape and perspective for African Americans.
 
Learn more about the exhibition here.